Alexis Hudgins

Alexis Hudgins http://www.alexishudgins.com Alexis Hudgins Tue, 01 Nov 2011 19:33:54 +0000 http://www.alexishudgins.com en Notes on You & Me, 2010 http://alexishudgins.com/Notes-on-You-Me-2010 http://alexishudgins.com/following/alexishudgins.com/Notes-on-You-Me-2010 Tue, 01 Nov 2011 19:33:54 +0000 Alexis Hudgins 2236971 Notes on You & Me, 2010, single channel video, 7:45 loop Cuddle Party, 2008 http://alexishudgins.com/Cuddle-Party-2008 http://alexishudgins.com/following/alexishudgins.com/Cuddle-Party-2008 Mon, 31 Oct 2011 02:54:45 +0000 Alexis Hudgins 2228233 Cuddle Party, 2008, single channel video, 5:34 Reverse Cut, 2010 http://alexishudgins.com/Reverse-Cut-2010 http://alexishudgins.com/following/alexishudgins.com/Reverse-Cut-2010 Sun, 30 Oct 2011 08:46:49 +0000 Alexis Hudgins 2225324 <img src="http://payload.cargocollective.com/1/5/161829/2225324/reverse-cut-18_small1.jpg" width="670" height="496" width_o="670" height_o="496" src_o="http://payload.cargocollective.com/1/5/161829/2225324/reverse-cut-18_small1_o.jpg" data-mid="11141655" caption="Lead Director Dana Klein explains the rules of the house to the cast on camera during opening (move-in) night." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC07.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC07_o.jpg" data-mid="11132088" caption=" Production Designer Johnny Londono designed and built a cast living area in the gallery space during the 3 day install." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC11.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC11_o.jpg" data-mid="11132090" caption=" Many helped, including enthusiastic art students, who added personal work to decorate the living space." border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225324/MAP.jpeg" width="670" height="490" width_o="1280" height_o="937" src_o="http://payload.cargocollective.com/1/5/161829/2225324/MAP_o.jpeg" data-mid="12275472" caption="The gallery space was divided into a cast living area, which included an outdoor patio, bathroom, kitchen, dining room, sleeping area, game room and living room; and the crew area which included a green screen interview set and the video control room." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC19.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC19_o.jpg" data-mid="11132096" caption="Production Designer Johnny Londono (left) braces the wall constructed to divide the cast living space from the crew control room. " border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC13.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC13_o.jpg" data-mid="11132091" caption="The dining room is where cast spent time eating, drinking and playing Monopoly while living on camera and in front of a live audience. " border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC14.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC14_o.jpg" data-mid="11132094" caption="Game room in cast living area." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/cherry40689_652945589946_30504911_35893959_3714582_n.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/cherry40689_652945589946_30504911_35893959_3714582_n_o.jpg" data-mid="11141616" caption="Cast living room." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC18.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC18_o.jpg" data-mid="11132095" caption="A green screen interview room was included in the space to conduct brief interviews with cast throughout the event." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC23.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC23_o.jpg" data-mid="11132102" caption=" The cast living space was rigged with surveillance cameras and microphones that transmitted live feed to the control room, where professional directors worked with camera crews to film the cast living area via walkie-talkies. Gallery visitors were invited into the control room and onto set to watch the cast being filmed live. " border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/documentation223.JPG" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/documentation223_o.JPG" data-mid="11132098" caption=" Cast books were created to help crew and directors identify each cast member during filming." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/photo133.jpg" width="670" height="502" width_o="720" height_o="540" src_o="http://payload.cargocollective.com/1/5/161829/2225324/photo133_o.jpg" data-mid="11141627" caption="Gallery visitors watch the cast move-in, directed by Lead Director Dana Klein from the Control Room on opening night." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC33.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC33_o.jpg" data-mid="11132103" caption=" Cast member Donnie drinks from a glass while he is filmed by Ronnen's crew. All cast were mic'd 24 hours a day. Crew and audience members we able to listen in on any cast member from the control room." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC34.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC34_o.jpg" data-mid="11132106" caption="Director Ruben Avendano listens and watches the cast while directing camera over walkie." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/photo-15.jpeg" width="670" height="449" width_o="670" height_o="449" src_o="http://payload.cargocollective.com/1/5/161829/2225324/photo-15_o.jpeg" data-mid="11132107" caption=" The cast found many ways to pass time while in the house, one of which was photographing themselves." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/photo-22.jpg" width="670" height="448" width_o="720" height_o="482" src_o="http://payload.cargocollective.com/1/5/161829/2225324/photo-22_o.jpg" data-mid="11141621" caption="Camera Operator Dorian Levi films as cast talk in the back room." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC35.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC35_o.jpg" data-mid="11132109" caption="A gallery visitor listens and watches as camera crews film in the cast house." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC37.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC37_o.jpg" data-mid="11132110" caption=" A visitor watches cast member Miggie as she works on her 3 day project of sewing lines in fabric." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC40.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC40_o.jpg" data-mid="11132111" caption="Audio Mixer Ruben Gasca turns away from cast to laugh. The dividing "wall" between cast and crew is important to maintain in order to keep the story from continuing off camera." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/photo165.jpg" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/5/161829/2225324/photo165_o.jpg" data-mid="11141635" caption="Director Glenn Carrano receives a call from a cast member. In order to maintain the "wall" between the cast and crew, communication is limited to the "bat phone" a direct line from the cast house to the control room." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC41.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC41_o.jpg" data-mid="11132112" caption="Gallery visitors watch from a bench while a camera rolls on the cast." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/photo-43.jpg" width="670" height="449" width_o="670" height_o="449" src_o="http://payload.cargocollective.com/1/5/161829/2225324/photo-43_o.jpg" data-mid="11141626" caption="Camera Operator Dashiell Manley films as Donnie plays guitar." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/photo141.jpg" width="670" height="502" width_o="720" height_o="540" src_o="http://payload.cargocollective.com/1/5/161829/2225324/photo141_o.jpg" data-mid="11141630" caption="Camera Operator Alexis Hudgins films Miggie as she continues her three day project of sewing lines in fabric." border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/photo-83.jpeg" width="670" height="448" width_o="720" height_o="482" src_o="http://payload.cargocollective.com/1/5/161829/2225324/photo-83_o.jpeg" data-mid="11132105" caption=" The cast after the final day and move out. From left to right: John Schardt, Donnie Stroud, Michelle Bonfils, Christina Bertfulo and Miggie Wong. " border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225324/RC45.jpg" width="670" height="503" width_o="670" height_o="503" src_o="http://payload.cargocollective.com/1/5/161829/2225324/RC45_o.jpg" data-mid="11141647" caption="Crew celebrates the wrap with champagne after filming is complete." border="0" align="left"/> Reverse Cut, 2010 is a collaborative project between Alexis Hudgins and Lakshmi Luthra in which the gallery space of Las Cienegas Projects was converted into a fully functioning reality television set that was open to the public twenty-four hours a day for three days of filming. Funds to pay for location, insurance, food and supplies for Reverse Cut were raised on Kickstarter. Myspace Book, 2008 http://alexishudgins.com/Myspace-Book-2008 http://alexishudgins.com/following/alexishudgins.com/Myspace-Book-2008 Sun, 30 Oct 2011 08:18:53 +0000 Alexis Hudgins 2225275 <img src="http://payload.cargocollective.com/1/5/161829/2225275/resized myspace book.jpg" width="670" height="578" width_o="670" height_o="578" src_o="http://payload.cargocollective.com/1/5/161829/2225275/resized myspace book_o.jpg" data-mid="11164914" caption=" Myspace Book (cover), 2008, 8"x10"" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_13.jpg" width="670" height="446" width_o="1024" height_o="683" src_o="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_13_o.jpg" data-mid="11131934" caption=" Myspace Book (selected pages), 2008" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_12.jpg" width="670" height="446" width_o="1024" height_o="683" src_o="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_12_o.jpg" data-mid="11131936" caption=" Myspace Book (selected pages), 2008" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_11.jpg" width="670" height="446" width_o="1024" height_o="683" src_o="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_11_o.jpg" data-mid="11131939" caption=" Myspace Book (selected pages), 2008" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_09.jpg" width="670" height="446" width_o="1024" height_o="683" src_o="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_09_o.jpg" data-mid="11131942" caption=" Myspace Book (selected pages), 2008" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_10.jpg" width="670" height="446" width_o="1024" height_o="683" src_o="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_10_o.jpg" data-mid="11131943" caption=" Myspace Book (selected pages), 2008" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_14.jpg" width="670" height="446" width_o="1024" height_o="683" src_o="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_14_o.jpg" data-mid="11131944" caption=" Myspace Book (selected pages), 2008" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_15.jpg" width="670" height="446" width_o="1024" height_o="683" src_o="http://payload.cargocollective.com/1/5/161829/2225275/Hudgins_Alexis_15_o.jpg" data-mid="11131945" caption=" Myspace Book (selected pages), 2008" border="0" align="left"/> Myspace Book (2008) contains over 300 images taken from profile pictures of my “Myspace” friends, presented in a book form. You/Me, 2009 http://alexishudgins.com/You-Me-2009 http://alexishudgins.com/following/alexishudgins.com/You-Me-2009 Sun, 30 Oct 2011 07:32:16 +0000 Alexis Hudgins 2225261 <img src="http://payload.cargocollective.com/1/5/161829/2225261/youandme.jpg" width="670" height="240" width_o="670" height_o="240" src_o="http://payload.cargocollective.com/1/5/161829/2225261/youandme_o.jpg" data-mid="11176324" caption=" You/Me, 2009, installation views" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225261/me.jpg" width="670" height="479" width_o="670" height_o="479" src_o="http://payload.cargocollective.com/1/5/161829/2225261/me_o.jpg" data-mid="11131683" caption=" You/Me, 2009, installation view (me)" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225261/you.jpg" width="670" height="479" width_o="670" height_o="479" src_o="http://payload.cargocollective.com/1/5/161829/2225261/you_o.jpg" data-mid="11131682" caption=" You/Me, 2009, installation view (you)" border="0" align="left"/> I didn’t understand the difference between you and me, so I googled the words (March 13, 2009). The low-res jpegs that resulted were enlarged to 16’x 8’ and installed as wallpaper on facing walls in my studio. Reverse Cut Wrap Party, 2011 http://alexishudgins.com/Reverse-Cut-Wrap-Party-2011 http://alexishudgins.com/following/alexishudgins.com/Reverse-Cut-Wrap-Party-2011 Sun, 30 Oct 2011 07:15:21 +0000 Alexis Hudgins 2225236 <img src="http://payload.cargocollective.com/1/5/161829/2225236/RC47.jpg" width="640" height="427" width_o="640" height_o="427" src_o="http://payload.cargocollective.com/1/5/161829/2225236/RC47_o.jpg" data-mid="11131545" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225236/RC49.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225236/RC49_o.jpg" data-mid="11131546" caption=" Alexis Hudgins Lakshmi Luthra during Reverse Cut Wrap Party" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225236/RC51.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225236/RC51_o.jpg" data-mid="11131548" caption=" Audience during discussion at Reverse Cut Wrap Party" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225236/RC52.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225236/RC52_o.jpg" data-mid="11131549" caption=" Discussion at Reverse Cut Wrap Party" border="0" align="left"/><img src="http://payload.cargocollective.com/1/5/161829/2225236/RC53.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225236/RC53_o.jpg" data-mid="11131550" caption=" DJ Gu Minda spins tunes at Reverse Cut Wrap Party" border="0" align="left"/> Reverse Cut was followed six months later by Reverse Cut Wrap Party (January 19, 2011) at the Mandrake Bar in Culver City. Borrowing from the production tradition of inviting cast and crew to a show wrap party, attendees, which included the cast, crew and audience of Reverse Cut, were invited to participate as panel experts in a public discussion of the production process. Forty chairs were set up to face each other, creating a situation where audience becomes panel and panel becomes audience. Wrap parties are traditionally debaucherous and it's probable that unlikely people will end up talking, and maybe even spending the night together. Reverse Cut Timelapse, 2010 http://alexishudgins.com/Reverse-Cut-Timelapse-2010 http://alexishudgins.com/following/alexishudgins.com/Reverse-Cut-Timelapse-2010 Sun, 30 Oct 2011 07:09:46 +0000 Alexis Hudgins 2225233 Timelapse documentation of build, shoot and wrap with recorded walkie direction from Reverse Cut, 2011, 33:07 Untitled MFA Project, 2011 http://alexishudgins.com/Untitled-MFA-Project-2011 http://alexishudgins.com/following/alexishudgins.com/Untitled-MFA-Project-2011 Sun, 30 Oct 2011 06:31:19 +0000 Alexis Hudgins 2225177 <img src="http://payload.cargocollective.com/1/5/161829/2225177/IMG_8452.jpg" width="670" height="447" width_o="670" height_o="447" src_o="http://payload.cargocollective.com/1/5/161829/2225177/IMG_8452_o.jpg" data-mid="11164344" caption="Untitled MFA Project, 2011, installation view" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1603.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1603_o.jpg" data-mid="11131222" caption="Reality television has become a ubiquitous form in its own right. Although there are many types of reality TV, its format traditionally uses a documentary style of following cast around the clock, filling in narrative gaps with confessionals and/or interviews." border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1592.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1592_o.jpg" data-mid="11131230" caption=" Following a reality TV structure, Producer Julia Cassidy interviews characters relevant to the week’s narrative surrounding the New Wight Gallery, which is also the space where the professionally crewed green screen interviews take place." border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1481.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1481_o.jpg" data-mid="11131235" caption="Harry McGowan is interviewed about his relationship with an artist working towards her MFA." border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1502.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1502_o.jpg" data-mid="11131228" caption=" Viewers are invited to watch these interviews in person, or from a live feed-to-monitor in a separate area of the gallery." border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1465.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1465_o.jpg" data-mid="11131233" caption="Untitled MFA Project, 2011, installation view" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1645.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1645_o.jpg" data-mid="11131249" caption="Interviewees for this project include Alexis Hudgins, myself; Jane Bickerton, my mother; Samantha Hudgins, my sister; Harry McGowan, my boyfriend; Cherry Jimenez, a producer and friend, Alison J Carr, artist and friend, Sarah Awad, Ivan Ianolli, Masood Kamandy, Dash Manley, and Greta Waller, all fellow students at UCLA; and finally Catherine Opie and James Welling, my faculty and committee chair." border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1577.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1577_o.jpg" data-mid="11131225" caption="Producer Julia Cassidy (front) interviews Alexis Hudgins about the events leading up to her MFA show while Cherry Jimenez monitors video and sound." border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1568.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/5/161829/2225177/_U2_1568_o.jpg" data-mid="11131226" caption="Viewers watch as the interviews are filmed live." border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225177/IMG_2892.jpg" width="670" height="446" width_o="1200" height_o="800" src_o="http://payload.cargocollective.com/1/5/161829/2225177/IMG_2892_o.jpg" data-mid="11131239" caption="Untitled MFA Project, 2011, installation view" border="0" align="left"/> In Untitled MFA Project, a producer works in collaboration with an interviewee to create a sound-bite representation of what has presumably been captured on tape: an experience translated into language for an unmade reality show about the process itself. Cell Phone Images, 2011 http://alexishudgins.com/Cell-Phone-Images-2011 http://alexishudgins.com/following/alexishudgins.com/Cell-Phone-Images-2011 Sun, 30 Oct 2011 06:31:18 +0000 Alexis Hudgins 2225182 <img src="http://payload.cargocollective.com/1/5/161829/2225182/IMG_2733-Edit.jpg" width="670" height="410" width_o="670" height_o="410" src_o="http://payload.cargocollective.com/1/5/161829/2225182/IMG_2733-Edit_o.jpg" data-mid="11131997" caption=" Selected cell phone images, 2011, installation view" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225182/resized snow.jpg" width="670" height="578" width_o="670" height_o="578" src_o="http://payload.cargocollective.com/1/5/161829/2225182/resized snow_o.jpg" data-mid="11151240" caption="01032010, 2011 53"x40" archival inkjet print" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225182/resized harry.jpg" width="670" height="578" width_o="670" height_o="578" src_o="http://payload.cargocollective.com/1/5/161829/2225182/resized harry_o.jpg" data-mid="11151234" caption=" 04022010, 2011 53"x40" archival inkjet print" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225182/Resized airplane.jpg" width="670" height="578" width_o="670" height_o="578" src_o="http://payload.cargocollective.com/1/5/161829/2225182/Resized airplane_o.jpg" data-mid="11151242" caption=" 12282010, 2011 53"x40" archival inkjet print" border="0" align="left"/> {image 10 caption= 03062010, 2011 53"x40" archival inkjet print} <img src="http://payload.cargocollective.com/1/5/161829/2225182/resized street.jpg" width="670" height="578" width_o="670" height_o="578" src_o="http://payload.cargocollective.com/1/5/161829/2225182/resized street_o.jpg" data-mid="11151233" caption=" 02092010, 2011 53"x40" archival inkjet print" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/5/161829/2225182/resized water.jpg" width="670" height="578" width_o="670" height_o="578" src_o="http://payload.cargocollective.com/1/5/161829/2225182/resized water_o.jpg" data-mid="11151236" caption=" 05082010, 2011 53"x40" archival inkjet print" border="0" align="left"/> Gold Monitors, 2011 http://alexishudgins.com/Gold-Monitors-2011 http://alexishudgins.com/following/alexishudgins.com/Gold-Monitors-2011 Sun, 30 Oct 2011 06:11:06 +0000 Alexis Hudgins 2225168 <img src="http://payload.cargocollective.com/1/5/161829/2225168/monitorgrid_o.jpg" width="670" height="537" width_o="670" height_o="537" src_o="http://payload.cargocollective.com/1/5/161829/2225168/monitorgrid_o_o.jpg" data-mid="11161721" border="0" align="left"/> Gold Monitors (1-20), edition of 32, 2011, ceramic and gold spray paint Because I was unable to pay professional crew members for time and equipment to create Untitled MFA Project, I offered ceramic gold monitors as payment. 32 monitors were cast from one found in a typical control room, later spray painted gold and given to cast and crew participants.